Review
The name Fried Pajamas definitely catches one’s attention but more so, it paints a vivid picture in mind. Supplementing this quirky image along with...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
“City of My Heart”: An EP That Travels Through Urban Loneliness and Inner Resilience
Hamza Rahimtula and The Rajasthan Folkstars Reimagine Rajasthani Tradition in “Origins”
Rono’s New Album Grapples with Loss and Healing in “Adhoore Se Khwaab”
Bloodywood’s NU DELHI is Heavy, Groovy, and Proudly Theirs
From Bloom to Wither: Catatonic’s ‘Gardenia’ Cultivates a Lush Yet Scattered Metalcore Garden
- Industry Insight
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
- Featured
14 Moments Every True Fan Has Experienced at a Concert
JBL Music Academy 2025: 3 Reasons why you should register NOW
“The only thing that can change the electronic music scene is the entry of festivals” – In Conversation with Kratex
“Artists Need to Stop Seeing Labels as Sharks” — In Conversation with Music Marketer and A&R Anmol Dhand
14 Unwritten Rules of Every Concert That Everyone Follows Without Realising
Review
If I ask you what accompanies you during your travels, the instant reply that I will get from most will be that it’s good...
Review
Hamza Rahimtula is back — this time, in collaboration with Rajasthan Folkstars, with an album spanning 10 tracks [excluding the extended versions, which if...
Review
Rono, previously known as Awkward Bong, is steadily carving his niche in Mumbai’s indie music landscape. His sleeper hit “Main Aur Tum” subtly caught...
Review
I found Bloodywood through their 2020 documentary Raj Against the Machine, which followed their first big tour through Europe. I wasn’t even deep into...
Interview
They say that good art is inspired by the world. That it looks deeper into the cause and effect of our actions. In the...
Review
Most of the music that I’ve been drawn to and have had a strong emotional connection with has usually had a common thread. Times...
Review
Right from the beginning, with chirping birds, ambient sounds and classical-like vocal stretching in the title track, Sanoli encapsulates the whole mood of this...
Interview
Whether one intends it to or not, the music an artist creates will be labelled – by genre, by country, by era, by ‘vibe’....
Review
Mr. Todu’s debut album Aadarsh Bars is an all-out exercise in maximalism, genre-hopping every other track and blending sounds and styles which would otherwise...
Review
Kevin Shaji aka Pina Colada Blues has made quite a name for himself in Kerala’s music circuit. Kevin is an indie music producer hailing...
Review
The significance, or the lack of it, of a name has been debated for ages. Perhaps even more questionable is the role a moniker...
Review
Drummers as composers and band leaders are once again finding their (rightful) place at the forefront of modern jazz, aided and abetted by the...
Review
Ko-Lab is the debut 4-track EP by childhood friends and hip-hop duo, Irfana and Taslina. The ‘ko’ in Ko-Lab refers to Kodaikanal, the project...